
It was another hot day in southern California, so we headed for the MOCA (Museum of Contemporary Design). We began at the Pacific Design Center with its nine floors of showrooms. If you want to see cutting edge designs, this is the place to go. The views were spectacular, too, since the building was mostly glass.

In one of the buildings was a traveling exhibit that had just started the day before. We weren't allowed to take photos, so I made my interpretation of the exhibit using Starbucks stirrer sticks, wood touch-up pens, and paint. To see what I interpreted, please go to the
Ruby Sterling exhibition at the MOCA Pacific Design Center.

Although it never really cooled down, we worked our way to the La Brea Tar Pits, which are in downtown LA. Joseph had never seen them, and I was tickled that I could show him something in LA that he didn't know about. I used a small pewter ox that I embedded in black fabric paint for the embellishment.

I tried to print an image from the museum's web site, but it didn't print well. I tried to enhance the mastodon with colored pencils, but I should have left it alone. this is a closeup of the journaling that I printed on my computer, then embossed using black embossing powder.

Our next stop that day was LACMA (Los Angeles County Museum of Art). My admission ticket is at the top and it sticks out from the book. When we got there, I told Joseph many of the things we saw were things I had read about a month or so earlier in an art magazine. When I got home, I found the images in
Art in America, a magazine I get free.

This was the actual tea bag Joseph got when we ate at the LACMA restaurant. I jazzed it up a bit with a Dover image.

This is another image from
Art in America, as is the paragraph at the top.

I couldn't believe my good luck when I found all these images of things we actually saw.

More images from the same magazine. I outlined them in silver leafing pen.

Now here's the rub. Some of the images were on back to back pages, and I really wanted to use all of them. So, I carefully measured and cut (using an exacto knife) windows to expose the photos on each side of the page. I sandwiched them between two paint chips.

If you look closely, you'll see the two windows from the other side. Can you blame me for wanting to save both sides? These were very memorable images.

I used the same technique for this spread, too, but fortunately, I was able to use this entire side.

That meant I only had to cut one window for the reverse side.